We’ve seen the works of Mira Nair, Deepa Mehta, and Gurinder Chadda.  These Indian-American female directors have always given their best to fairly depict the South Asian world to the international world.  However in today’s review it’s British director, Sarah Gavron who presents an entirely south-asian subject from Monica Ali’s novel Bricklane.

Check out today’s review of a film festival favorite, Bricklane.

Being able to dive in to the depths of a foreign culture and to a large degree do justice in representing the emotions and characteristics of its natives is a feat in itself.  British director Sarah Gavron does a remarkable job of connecting to the Muslim Bangladeshi community of Britian.  Although using stereotypes, the authenticity is not far from a Bengali theme Mira Nair production or a Punjabi influenced Gurinder Chadda make.

Working with novelist Monica Ali and writers Laura Jones and Abi Morgan, Gavron tells the story of Nazneen; her transition from a quiet village girl from the banks of Bangladesh to a liberated woman whose home is Bricklane.  Along her transformational journey some epiphanies are revealed and challenges met. 

Unfortunately what was a page-turner in terms of a novel has a very slow progression on-screen.  Key enthralling moments are well done, like the discovery behind the truth of the life led by Nazneen’s sister whom she left behind in Bangladesh, the sweet escapades between her and her lover, and her eventual support of her husband.  The rest of the screenplay lacks in emotion and leaves too many moments half-baked.

There’s no doubt the book is more gripping than the screenplay, still the talented cast, namely Tannishtha Chatterjee as Nazneen and Satish Kaushik as her husband do an outstanding job.  Tannishtha Chatterjee expresses grief, conflict, and happiness beautifully through her eyes and occasional bright smile.  Satish Kaushik surprises, stepping out of the Bollywood school of cinema and delivering a prize winning performance.  Christopher Simpson as Karim, has no problems in creating chemistry.  His natural charm and appeal are alluring.

Technically the film showcases quality cinematography and lighting.  Dialogues offer ample support.  Details ensure proper usage of dialect, language, and attire. 

Bricklane is overall a well-made independent film; a venture that shows how suppressed desires can lead to volatile explosions; some good, some harmful.  If you know you’re in an introspective mood, than there’s no harm in checking out Bricklane, a 3 star Showbiz India watch.

Sometimes we find ourselves trapped in a life we did not wish, nor will we change.  Bricklane begs you to ask, is life to endure or to live and be free?  I’m Ritu Mahindru leaving you with that thought this week, but promising to be back with another next time!